The Semiography of Iago, the Merchant of Venice: Liminality, Abjection, and the Imagery of the Mediterranean in Othello, the Moor of Venice

Kiss, Attila: The Semiography of Iago, the Merchant of Venice: Liminality, Abjection, and the Imagery of the Mediterranean in Othello, the Moor of Venice.
International Journal of the Humanities, 5 (6). pp. 95-101. (2007)

[img]
Preview
Text
SemiographyofIagotheMerchantofVenice_final.pdf - Submitted Version

Download (433kB) | Preview
Item Type: Article
Journal or Publication Title: International Journal of the Humanities
Date: 2007
Volume: 5
Number: 6
Page Range: pp. 95-101
Faculty: Faculty of Arts
Department: Angol Tanszék
Institution: Szegedi Tudományegyetem
MTMT id: 1391821
Date Deposited: 2015. Mar. 31. 13:36
Last Modified: 2018. Sep. 11. 15:07
URI: http://publicatio.bibl.u-szeged.hu/id/eprint/5097

Actions (login required)

View Item View Item

Downloads

Downloads per month over past year